SCAM ALERT: Fake Literary Agents

This was first posted to Facebook in a shorter version, but in case it will prove helpful to someone, I’m posting it to my blog as well.

Writer friends: Scam Alert! I got this email July 16th from someone (or a bot) claiming to be a literary agent at a new agency seeking clients. All kinds of red flags are present and waving here, so let’s go over them:

-Literary agents do not contact you. They go through professional sites like the MSWL, or will be part of industry-specific publications announcing their new roles and what they are looking for (like the Published to Death blog, etc.)

-There is a mismatch in the way the company name is spelled: in the body of the email, she says it’s the Serenity Literary Agency. In the signature and email address, it’s “Serendity.” A literary agent would not misspell their agency name.

-She says the website is under construction. Nope. Any reputable place would make sure it had a functioning website FIRST, before its agents spoke with potential clients. It would be independently searchable, for people to confirm details, look at the agency’s mission statement and list of agents, etc.

-The email address is a gmail address. A literary agency would buy a domain name (yes, it’s fine and normal for some small presses to have gmail addresses, I get it, but a literary agency would have its own domain, like “agentyagent@superagency.com”).

-She says she came across my “profile,” but doesn’t say where. A real person would be specific: “When I was on Instagram, I liked your comment on X post and clicked on your profile, and from there went to your website” or whatever.

-She says nothing SPECIFIC about my work. Not “I loved your ghost story collection, in fact I love ghosts all day every day; do you have a manuscript about ghosts available?” No agent is going to be like “Hey, throw whatever at me.” They are very selective, in real life, and invest a lot of time into their clients. Which, again, is why they won’t reach out to authors out of the blue. That is not a thing.

-There’s no mention of her capabilities. No list of accomplishments, or other clients, or publishers she’s worked with.

-There is no additional contact information listed in the signature of the email. No phone number, other professional website, anything.

-There is no record of where she DID work. A literary agent, even a new one, will tell you something about their past professional experience.

-Her last name is hyphenated, yet she forgets to capitalize the second last name where the email lists the sender. A literary agent would know to capitalize their own name. They understand proper nouns.

-I was so distracted by the other red flags that it took me a minute to note this one as well–she can’t make up her mind about the company. She says she’s a literary agent looking for clients, but also, she’s part of a small press looking for books to publish. Are you a press or a literary agency, Emma? Huh? YOU DON’T KNOW.

I did try to look this person up, because that is the first thing I do when I get suspicious emails. If it had been real, I would have written back to politely inform them that I am very happy with my current representation (shoutout to Tobias Literary Agency). But it IS a scam, and these are people (or bots, but there are people behind them) who prey on writers, thinking they will jump at an offer of representation without doing their homework.

Be careful out there, friends, and watch out for each other.

Read and Resist: Guest Post by Tommy B. Smith

Once upon a time, I had a dusty utility room with shelves full of books. These ranged from horror to fantasy to science fiction–genre fiction, the types of stories which allow us to explore other worlds, incredible circumstances, and alternate perspectives from characters thrust into unique situations.

Ours is a universe of colors and perspectives, and in exploring it with an open mind, we may gain another slice of the larger picture, the grand palette that comprises the world and the imagination.

Diversity of background and perspective enriches the history and scope of storytelling. We all have stories, factual and fictional, and it may be that we are indeed destined to become stories, as indicated by that line from Margaret Atwood’s Moral Disorder.

Some seek to control the narrative, wishing to eliminate those stories that bring discomfort or imbue confidence in dissenting narratives, and to silence the storytellers who embolden and defy. Classic examples of banned books include those from and depicting Black authors and culture, those told from the viewpoints of women oppressed by patriarchal society, those with LGBTQ+ content, and works challenging society’s shortcomings by a myriad of approaches, including dystopian fiction.

Speaking again of Margaret Atwood, The Handmaid’s Tale is one such offering, banned for sexual content, violence, profanity, and a perceived anti-religious message. Another is Thirteen Reasons Why, which broaches the topics of sexual assault and suicide, situations that exist in our own world and must be discussed to be addressed, whether by conversation or through the vehicle of fiction.

Here we have the reality of fiction and its challenges—as storytellers, readers, and individuals, we are exposed to an uncomfortable world with awful truths, and ignoring those issues does not dispel them. Seeking to squash the conversation and avoid these topics merely contributes to the issues which inspired them, in many cases.

As readers, we deserve to have the stories that not only appeal to us, but those that challenge us, should we dare to explore uncomfortable themes.

In watching the final season of Stranger Things, I was reminded of one of my early influences as an author, Madeleine L’Engle’s A Wrinkle in Time. Often described as a work of young adult science fantasy, I’ve found it to be a blend of science fiction, fantasy, and horror as well, geared toward younger readers and weaving a remarkable tale across worlds and dimensions.

Though written by a Christian author, the book was challenged by Christian fundamentalists for its scientific angles, perceived occult elements, and its strong, independent female protagonist, and has been removed from schools and libraries since its release in 1962. Despite this, the book earned the Newbery Medal, the Sequoyah Children’s Book Award, and the Lewis Carroll Shelf Award, but a few indications of many that a book worth banning is indeed a book worth reading.

Another example is Ray Bradbury’s Fahrenheit 451, which explores the very concept of censorship and book banning imposed by a tyrannical government. Should it be any surprise that this dystopian work has also been banned for its themes, or should it be unexpected that individuality and resistance stand firm at the core of so many banned books, past and present?

As readers, we have choices. Consider that those who would steal our choices are not allies, but opposition seeking to wrest the power of imagination and conversation from us, the readers, and the writers as well, because we will not be silent.

Dissenting voices have the right to speak, regardless of those who disagree.

Reading is its own form of resistance, in the end, and whether by requesting banned books from your local library or bookstore, discussing these works and their themes with your local book club or friends, or simply reading what you will, I urge you—read and resist.


Tommy B. Smith is a writer of horror and dark fiction, author of The Mourner’s Cradle, Poisonous, and Anybody Want to Play WAR? as well as the short story collection Pieces of Chaos. A two-time Imadjinn Award-winning author and 2023 Michael Knost Wings Award nominee, his work has been featured in numerous magazines and anthologies to span the years.

He has previously worked with Morpheus Tales as editor of the Dark Sorcery and Urban Horror special issues of the magazine.

​​Road Between Worlds: A Horror Author’s Chronicle is a documentary of the creative journey, that of the author and others including writers, artists, and filmmakers of varying backgrounds and persuasions. It begins in a cemetery and spans the book tour of 2018 across eleven cities.

​​In 2019, The Mourner’s Cradle received the Imadjinn Award for best horror novel, and in 2020, Anybody Want to Play WAR? for best literary fiction novel.

​​He currently resides in Fort Smith, Arkansas with his wife and five cats.

Learn more by visiting his website.

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