“Stations”

Published on redbirdchapbooks.org.

***

Inside the broken-necked chapel, kneeling in the debris of other people’s faith, she held up a stained glass fragment outlining Mary’s perfect suffering.

“I could be like this for you,” she said. “I could mourn you so hard it would bring you back.”

I saw her then, in blue, lips bit ragged and bleeding, eyes luminous with the power of a loss unaccepted. A sunrise or bomb blast would turn the world into her halo.

But there, in the church, she brushed dust from her cheek with a pilled sweater sleeve, then held the colored glass flat between her palms. It disappeared like a street magician’s trick.

She was supposed to wink. I was supposed to clap. But I took her empty hands in my own and to anyone looking through the rafters’ gaps, it would seem like we were praying.

“Recall”

Published by Rivet: The Journal of Writing that Risks.

***

When constituents expressed, via text message and Facebook, the desire to speak directly to one another even less, the government helpfully stepped in.

“It’s sort of like the Electoral College,” the President explained, via Tweet. “Or the Fifth Amendment.”

They sold mandated Mood Skin™ at pharmacies and supermarkets, offering deep discounts to those who brought documentation of college debt, steep alimony, or hard times.

The Mood Skin™ fit over a person’s real skin, snug but comfy like a ballet leotard, with enough give to allow its wearer to rake leaves or salsa dance or eat a lot at Thanksgiving.

“It will streamline communication!” top sociologists and talk show hosts assured their audiences. “No more pointless ‘How are yous,’ no more explaining how your day went!”

And for a while, things seemed to get better.

Wives avoided bringing up money at the dinner table when their husbands’ Mood Skin™ flushed russet.

Fewer women got hit.

Lovers knew that a cool blue meant “Not tonight, baby,” and no one felt the sting of bedroom rejection.

Stray dogs even learned to seek out people the color of yellow legal pads, which indicated a penchant to pet and the likely sharing of leftover gyros. Yellow meant nice.

But the Mood Skin™ had a shelf life, or the people’s feelings had a shelf life.

Soon the jungle greens and sassy oranges faded, the colors ebbing away until everyone’s Mood Skin™ became tapioca-dull.

No one fought in tavern parking lots or yelled from car windows on expressways. No one kicked the stray dogs and no one took them home. No one held hands with anyone else. Nicholas Sparks stopped writing books.

Exports slowed to a leaky-faucet drip—just Marilyn Monroe calendars and the occasional shipment of Elmo dolls, left un-tickled. Consumerism died alongside economic competition. No one needed retail therapy, and rom-coms were good for nothing.

So like with immigration and the Temperance Movement, the government tried to backtrack. They ordered the glitchy Mood Skin™ returned, peeled off—“As you were,” they said.

Law-abiding citizens turned in their Mood Skin™ for a tax credit. They dropped it into biohazard receptacles set up at police-patrolled polling stations.

Some rebelled and kept it, reserving it like sexy lingerie for when they were in the mood to be in no mood.

The few people who refused to ever wear it came out from their hiding places in barns and bunkers and holes in the ground. They taught workshops on how to say “I’m sad” and “I love you” and “I resent the fact that you used the last of the coffee creamer.” These group sessions included face-stretching exercises in front of hand-held mirrors. The first person to laugh shocked the others back into silence.

Yesterday, I saw a mangy terrier approach an old man in the park. The man pet the dog, and they both smiled.

TFF-X: Ten Years of The Future Fire Ft. “Thick on the Wet Cement”

“Thick on the Wet Cement” was originally published by The Future Fire in 2012, and was selected for its ten-year anthology in 2015.

TFF-X can be purchased at bookshop.org.

***

X for ten years, X for marking out a spot in the genre, X for the unknown variable that changes the status quo. This anthology is a mix of reprints from the first decade of The Future Fire magazine, and new, experimental, unusual or aspirational pieces that push boundaries or play games that might tickle Borges, Calvino and Kafka. With both old and new stories, the editors hope to give a taste of what they’d like to see more of in the next decade, and in the process supply voracious readers with 29 short stories and other pieces of writing full of progressive ideas, underrepresented voices, socially important tales, and of course entertaining, quality fiction! This paper book gives the stories, half of them previously published but in digital form only, another time and space to be enjoyed in.

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